70 pages 2 hours read

Lin Manuel Miranda, Jeremy McCarter

Hamilton: The Revolution

Fiction | Play | Adult | Published in 2015

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Chapters 9-16 and Act I, Scenes 11-24Chapter Summaries & Analyses

Chapter 9 Summary: “On the Perfect Union of Actor and Role, with Allusion to Renée Elise Goldsberry”

When Renée Elise Goldsberry auditioned for the role of Angelica Schuyler, Miranda, Tommy Kail, and Oskar Eustis (artistic director of the Public Theater, which produced the Off-Broadway premiere) were amazed by her speed, “as if lightning had flashed through the room” (78). Eustis attributed this ability to her experience performing Shakespeare in multiple seasons of the Public’s Shakespeare in the Park series. Goldsberry was initially reluctant to take on any project. However, the casting agents persisted, and after listening to a demo of “Satisfied,” Goldsberry wanted the part. “Satisfied” retells the ball from Angelica’s point of view, commenting on the subjective nature of history narratives. Goldsberry thought she had no chance at the role, but her performance of the song, including a rapid-fire rap, left them stunned again. Later, after Hamilton opened, Miranda tweeted, “I want to fast forward to when high schools do Hamilton & the girl playing Angelica Schuyler gets to spit the HARDEST BARS IN THE SHOW” (79).

Act I, Scene 11 Summary: “Satisfied”

At Hamilton and Eliza’s wedding, Angelica, gives a toast. Then the scene rewinds to replay the winter ball from Angelica’s perspective. Angelica admits that she will always regret that night.

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