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In The Last Painting of Sara de Vos by Dominic Smith, a 1950s art history PhD student, Eleanor Shipley, forges a painting by the 17th-century artist Sara de Vos, which unbeknownst to the owner, Marty de Groot, replaces the original stolen piece. Decades later, as an established art historian, Ellie faces potential exposure when both the original and her forgery surface at an exhibition she curates.